Quidquid latine dictum sit, altum sonatur.
2 Jan
I got there right on time at 6:30 and was ushered to a frigid room where the other hopeful cast members-to-be talked among themselves about the shows they had done together, how so few female roles are in Joseph, and how cold the room is.
7:00 passed. So did 8:00. I waited patiently, knowing that I was number 33 on the list. Jesus’ age — lucky, right? Except for the crucifixion thing, I guess. Rotten luck, that.
Finally the other 4 in my group and I were called to the gym for the singing audition. The gym was even colder. I was the third to perform. I watched as two women each sang their tunes to 4 people. Without sheet music. Check. With some acting. Check. Apparently that’s how these things are done.
No problem, I thought. I’ve sung this a hundred times in my car. I know this tune. I walked over to the pianist and pointed out the 32 bars I had chosen. I walked to the free throw line and faced the table.
“Find…”
“Sorry, can I start that again?” (that was in key, but the wrong note) Hmm, starting at the second verse is proving tougher than I thought. I jumped back over to the piano. He gave me the cue note, and I hurried back to the hotseat. Floor. Whatever.
“Find glory in a song that rings true, truth like a blazing fire. An eternal flame.”
“Find one song, a song about love…”
“…”
Ok, no big deal. I’ll just jump back in. Hearing piano accompaniment instead of guitar is proving to be more distracting than I had anticipated.
“a young man. Find one song before the virus takes hold. Glory before the sun sets.”
Ok, those are the wrong words. By this time I was doing my absolute finest deer-in-headlights look. Something tells me that’s not the way Roger is blocked in that show.
“One song to redeem this empty life…”
He stopped me. I didn’t even get to do the money line. The high note, the grit, the passion. Denied.
Instead, he asked me to grab a score for Joseph and quickly learn the first few lines of One More Angel In Heaven. This request came amid a flourish of apologies. I noticed that no one else in my group was asked to sight read, something I do with the skill of a drunken ape.
I made it through, but there it was, written right in the score…”BROTHERS.” By this point I figured my destiny was assured. Brother. One of 11. Otherwise known as a chorus.
And why not? I choked. I would have been better off singing the climax of Close Every Door, although I thought that might have seemed a bit pretentious. The truth of the matter is that I wasn’t prepared to sing anything from memory. Actually, I could have used C’est Moi. But Lancelot is a baritone. Joseph is a tenor. I’m trying to capitalize on the new notes I’ve found in my range over the last year or so. I was totally going to do the Donny Osmond thing. Uh huh. What was I thinking?
I could have prepared a bit more carefully, but I was trying to go into it with a relatively carefree attitude. It would have been nice if I had been honest with myself about what I was hoping for. I felt something after that performance, for sure, but it definitely wasn’t carefree.
Callbacks are tomorrow. Everyone will hear about the casting, yea or nay, by the end of the week. I really wish I would have represented myself better. I needed my A game. I pinched off a C-.
And now I’m starving. Maybe I can at least find some comfort in the pieces of Mediterranean Cylinder Beast that will be playing the lead role in My Big Fat Greek Sandwich. That is, if I can hack my way through all this self pity to reach the door of my apartment.
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